The Drilling Company's Shakespeare in the Parking Lot has found a new home in the Parking Lot behind The Clemente Soto Velez Cultural and Educational Center (CSV), 114 Norfolk located on the east side of Norfolk Street between Delancey and Rivington Streets, just three blocks from the parking lot where the gritty cultural attraction started in 1995.
In 2014, after losing its space in the Municipal Parking lot at Ludlow and Broome Streets, the company engaged in a nine-month search for a new location to continue the 20 year tradition, presenting free Shakespeare for a generation on the Lower East Side. The annual two-play festival will now have a new home for its 21st season and into the future.
This year's productions will be "As You Like It," directed by Hamilton Clancy, July 9 to 26 and "Macbeth," director TBA, July 30 to August 15.
Shakespeare in the Parking Lot became a treasured urban tradition in two decades of productions in the neighborhood known as the Seward Park Urban Renewal Area, which is now giving way to Essex Crossing, a giant mixed-used development. The city laid the groundwork for the megaproject by demolishing the tenement homes of 1,800 Lower East Side families 51 years ago and the parking lot was the City's use for the vacant area there.
The idea is to continue free Shakespeare for the Lower East Side. The concept of free Shakespeare in a parking lot, presented with a "poor theater" aesthetic, is now widely imitated around the US and around the world, with productions as far away as New Zealand.
Director Hamilton Clancy writes, "The Drilling Company is looking
forward eagerly to establishing another island of adventure and creativity
in the shadow of CSV, which is, itself, a home to much creative theater
on the Lower East Side."
It took the company nine months to find a new parking space for these productions. Read about it an article last summer in the Wall Street Journal online.
Shakespeare in the Parking Lot, presented by The Drilling Company (Hamilton Clancy, Artistic Director), is a summer New York institution offering free Shakespeare productions. It began in a municipal parking lot at the corner of Ludlow and Broome Streets in Manhattan's Lower East Side.
Shakespeare in the Parking Lot was begun in 1995 by Expanded Arts under the artistic direction of Jennifer Spahr. When Ms. Spahr retired in 2000, an organization known as Ludlow Ten was formed under the direction of Leonard McKenzie. The Drilling Company began co-producing SITPL with Ludlow Ten in 2001. After Mr. McKenzie's retirement in 2005, The Drilling Company was asked to continue the great tradition of Shakespeare in the Parking Lot.
We estimate that since 1995, Shakespeare's plays have been presented there for over 40,000 patrons.
The plays are presented in a working parking lot, so you can drive there but you should expect to pay the Muni-meter.
Why a parking lot? "It is a tremendously accessible gathering place in the heart of the city. Like most companies that do Shakespeare we are following the spirit of Joseph Papp. But putting our own spin on it by placing it in a parking lot, making an urban wrinkle," says founding artistic director Hamilton Clancy. Shows are offered while the lot is in use. (Performances this season are Thursdays through Saturdays at 8:00 PM for both shows.) The action sometimes happens around a parked car which drives away during a performance. At such times, the players stop and the audience moves its chairs, pausing the performance the same way a show would stop for rain uptown in Central Park. It's all part of the fun.
Seats are available on a first come first serve basis, with audience members often arriving as early as 7:00 PM to secure a place. You are encouraged and welcome to bring your own chair. Once seats are gone, blankets are spread out. "We've never turned anyone away and there's never a wait for tickets!" brags Clancy.
The productions are typically intrepid, bare-boned and often gloriously ingenious adaptations of the classics. For example, in 2010, Hamilton Clancy staged "Julius Caesar" as a battle for control of an urban school system, with women playing Brutus and Cassius.
Supporters include the Department for Cultural Affairs and the the New York State Council on the Arts.
CHECK OUT OUR PHOTO ALBUM.
YEARS OF SHAKESPEARE IN THE PARKING LOT
PHOTOS AND WRITEUPS OF SEASONS IN OUR RECENT PAST